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Re-Capture

November 17, 2017, 3:38 am
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An exhibition of incommensurable plausible paradoxes, generated by processes activated by the artist, but developed independently of human will. An opportunity to see how the relationship between living beings and the technological dimension allows unprecedented considerations of meaning.


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RE-CAPTURE: Room(s) for Imperfection


Curated by
Federica Patti

Solo show by
Emilio Vavarella



GALLLERIAPIÙ
Via del Porto 48 a/b
40122 Bologna
Italy


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Us

November 17, 2017, 7:07 am
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'Us' is a video extraction from an endless 'Movie Dis Installation' which has no beginning nor end (shown live). It is made of a collection of over 2.000 photographs from different movies that stroke me at the time, some with subtitles, where the artist borrows ready made lines, expressions, scenery and so on, to tell a story, to 'paint a picture'.

This video's extraction is unique and it is virtually impossible to repeat it by filming the same thing, even on the same computer, pictures and it's combination will change just like everyone¡s life events.


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Us


Dis Installation by
Rey Zorro

Sound collaboration by
Soul Slinger



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People You May Know

November 20, 2017, 2:19 am
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Abstract photographic compositions composed by images from Facebook friend suggestion albums for my personal account, blended into single pictures. Using custom made software, each original image is stacked on top of each other, and different sets for different human body parts are condensed into separate pictures vibrating with their own emotional impression.

Each final image captures the logic of human part detection algorithms but also fuses it with a distant, shadow view of digital body part representations of people "You May Know", as selected by another set of Facebook algorithms running on your shadow-profile interactions. All those uncanny recommendations are the shadows that follow us as we move around inside the digital space, casted by the light of constant surveillance of our network activity.

The digital images were created by bulk downloading 9000 images downloaded from Facebook friend suggestion albums for my personal account. All images were then stacked using custom made software to process their mean color value per pixel, and increase the dynamic range of colors retaining the highest of their original detailed variety. They were also centered and rescaled at the same size of different human body parts, as recognized by feature detection trained neural networks.


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People You May Know


Authored by
Anestis Anestis





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VGN FRST

November 24, 2017, 6:13 pm
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Although it has emerged out of a dialogue between two female Polish elbows and four androgynous French knees, its particles have a pullulating character. It fluctuates around heterogeneity and explores an amalgam of matters; it is imbued with body and its ability to pose a catalyst (a cathedral) for emotions, failed sonifications or acoustic environments. It's an organism, partially autonomous, influenced by internal and external worlds. It's a frivolous forest and it is growing.



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VGN FRST


Curated by
Eliza Bozek, Pauline Canavesio

Featured artists
Vagina Forest & Anastasia Alpha Rats




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#toppostsofinstagram

November 27, 2017, 9:32 pm
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There are +30 Embassies participating on the third edition of the Wrong. The embassies form the offline part of the biennale happening in art spaces, galleries and institutions in cities around the world. To bring the offline back online, and to form a flattened viewpoint of the idea of "naming", presented in this tour are the top Instagram posts for each word in the Embassy names. The tour peruses an alternative internet presence of the Embassies, which in turn, implies that the naming of things does not affect what they really are; the words become homographs, full of different meanings when taken out of context, rendering them futile non-human effigies of the trending masses.

Juliet:
'What's in a name? that which we call a rose
By any other word would smell as sweet;'


CLICK TO ENTER ->
#toppostsofinstagram


Authored by
Rebecca Edwards




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Uchronia | what if?

November 29, 2017, 7:01 am
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In a world that draws our attention to the present moment, both facts and stories are now subject to fluctuations, whether fictional or virtual. What if we started inventing the truths we desired, to the detriment of genuine facts? What kind of worlds would this create?

Uchronia | what if? Offers a collection of online works that create uncommon, digital versions of the world and of history. They create speculative futures, revisiting history by exploring new approaches to political and social impasses; exploiting a dystopian internet and alternative networks; confronting multiple experiences of time, both human and machine-based.


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Uchronia | what if?


Curated by Lab NT2
Gina Cortopassi, Bertrand Gervais, Joanne Lalonde and Lisa Tronca.

Featured artists
Salvador Barajas
Pippin Barr
Andy Campbell & JHAVE
Roderick Coover & Scott Rettberg
Stéphane Degoutin & Gwenola Wagon
João Enxuto & Erica Love
Angela Gabereau; Coral Short and Visionaries
Jonas Lund
Eva and Franco Mattes
Yuri Pattison
Skawennati



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New Flesh 2.0

December 1, 2017, 8:09 am
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At the heart of the Wrong biennale, the artist is invited to define his vision of the virtual flesh, place of sharing of emotions and thoughts, of digital representation of our psyche, we invite you in this pavilion to the representationally of the epidermis of the virtual being of this new era, the selected works will be exhibited in our interactive virtual gallery, soon online, you can send your works on the page new-flesh 2.0 limit of format 1300 px squared, the works can be audio art, video art, poetics, lyrics, performances and of course on digital format


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New Flesh 2.0


Curated by
David Godefroy

Featured artists
David Plastique
Zen Materia
Piero Chiariello
River Sound
Treesekltown
Ruux Mu
Mooname
Birgit S Hansen
Raguamont L’éstrange


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Dear Space

December 2, 2017, 6:23 am
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The internet is largely experienced as an integrated part of daily life. Individuals are commenting, tagging, sharing, rating and orchestrating a vastly growing range of actions online. This state of immersion situates our society within a post internet setting where this network is inseparable from life. If the internet is so deeply embedded as to be an essential element of society, is it still possible to look at it from outside? If so, how would you describe the internet as a space?



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Dear Space


Curated by
Didem Sandikci

Featured artists
Aram Bartholl
Jonah Brucker-Cohen
Tyler Coburn
Laurus Edelbacher
Cesar Escudero Andaluz
Emilie Gervais
Ben Grosser
Joe Hamilton
Faith Holland
Patrick Litchy
Nicolas Maigret
David Marinos
Conall McAteer
Miyo Van Stenis
Emilio Vavarella




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DIGITRA II / Hyperplanes

November 15, 2017, 7:32 am
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A remodelling process that focuses on the identity of hybridisation and implementation between pictorial and digital media, in a clash of different stylistic, technical and technological discoveries. By creating a temporal bubble of simultaneity between space and time, the spectator presents a visual, spatial, bodily, sensorial, and multimedia "vertigo" that is possible only through the interpenetration between the physical world and its technical dilation. He chooses the viewer as the fundamental resource of the artistic process: the work is completed through the infinite combinations of the virtual environment and the active use of the spectator.


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DIGITRA II / Hyperplanes


Curated by
Federica Patti.

Advisor
Ennio Bianco

A solo show by
Fabio Giampietro and Alessio De Vecchi,


TREVISO RICERCA ARTE
Ca 'dei Ricchi, Via Barberia 25
31100 Treviso
Italy





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Tempest

December 6, 2017, 5:45 pm
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An environmental video installation commissioned for the 10th anniversary of Digital Graffiti Festival. The work combines abstract video projections and immersive soundscapes with choreographed fog and water fountains. In doing so, the artwork literally repaints the lake, woods and architecture of Alys Beach, Florida.


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Tempest


Artist
Robert Seidel

Music
Nikolai von Sallwitz



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December 10, 2017, 2:43 am
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w


Authored by
Igor Štromajer



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Instante

December 10, 2017, 7:56 am
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Ephemeral, fast and selfies. Time is recorded with predetermined self-destruction. 24 hours or 15 seconds, no matter how many thousandths, the fast image is enough to create an extremely effective dialogue between artist and viewer.


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Instante


Curated by
Brüno Melo & Matheus Ferreira

Featured artists
Andre Hard Eberhard
Eric Felipe
Wis Villefort
Emanuel Cima
Another Dianna
Barbara Mello
Samuel Alves
Joycereia
FINGERPRINTS
Felipe Vieira
Piller Franz
Otto Heid



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Fantasy Direct

December 10, 2017, 7:56 am
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A guerrilla safe space envisioned as a nonlinear live-action roleplaying experience to be performed between the virtual and the real. The residue of a previous fantasy or a breadcrumb trail toward the invention of a new one, the images are the unarmed but electric love-children of future instabilities, unconscious desires, and the rise and fall of new materialities in digital art.


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Fantasy Direct


CLICK TO ENTER HONG KONG->
Fantasy Direct


Curated by
Isa Magalhães

Featured artists
Monia Ben Hamouda
Gee Vaucher
Thomas Geiger
Marian Luft
Tan Ray Tat
Chongha Peter Lee
Omsk Social Club
Hannah Le Feuvre
Lara Joy Evans
Jake Kent
Michele Gabriele
Agustine Zegers
Raul Altosaar
Tea Strazicic + Marta Strazicic
Lennon Ventura
Michael Bussell
Daniel Martins
Katy Roseland
Elliot Green
0fash
Min Jie
Galen Erickson + Dylan Erickson + Ameen Mettawa
Maya Ben David
Gabrielle Noel
Paola Ramoso
Emma Mouse
char esme
Awe Ix
Lime Honey
Orion Facey
Savannah Fleming
Taj Bourgeois
Trauma Doll
Isaiya Venegas
Johanna Invrea
Savannah Fleming
Jeremy Coubrough
être du Rayon
En Interim
Simone Alexander
Coleman Mummery
Loney Abrams + Johnny Stanish



YONGMA LAND CHARM SPACE
69-1 Mangu-dong, Jungnang-gu
Seoul

THINGS
56B Nathan Rd, Tsim Sha Tsui
Hong Kong

PORTAL
400 Lujiabang Rd, Huangpu Qu
Shanghai



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Permanencia

December 14, 2017, 7:03 pm
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Una muestra site specific donde el objetivo se encuentra en apelar a los sentidos más allá de lo visual. Por medio de una sala totalmente a oscuras el ambiente se torna imersivo para el espectador. Lucas trabaja las posibilidades de la ingeniería en informática para obtener como resultado final obras que interactúan con el espectador. Se trata de transformar al código en un formato amigable, devolverle al público un resultado visual con el que pueda participar de manera activa.


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Permanencia


Curated by
Lucas Zambrano

Authored by
Lucas DM


ESPACIO PLA
Malabia 1841
Buenos Aires
Argentina



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Dinámica [input]

December 14, 2017, 7:03 pm
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En dinámica [input] la materia prima es el sonido, o la ausencia de este. Haro busca poetizar la escucha plasmando el sonido en luz, vibración o imagen. El supuesto sobre el cual el artista trabaja es hacer perceptible aquello que en su origen no lo es, el aura en la obra de arte como el sonido que poco a poco se vuelve descifrable implica la contemplación comprometida por parte del espectador. Se trata de establecer un límite infranqueable entre el exterior y la sala, donde la introspección juega un papel fundamental. Finalmente, y contrario a lo que podría esperarse, la tecnología pasa a estar al servicio de la reflexión cuasi meditativa, el aura de las obras debe ser develado por el público a través de su participación interactiva.


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Dinámica [input]


Curated by
Marcelo Marzoni & Julieta Sepich

Authored by
Jorge Haro


ESPACIO PLA
Malabia 1841
Buenos Aires,
Argentina



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Phi

December 14, 2017, 7:08 pm
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Let's “hack” superstar number 1.618..., reflect on the mathematical properties and philosophic ideals attached to its popular significance and propose new aesthetics or applications for the Golden Ratio.

The PHI Collection assembles an extensive array of digital processes, studies and experiments created over the span of one year, including digital paintings, remixes and photography, gif, animation and videos, creative code, experimental writing, typography, fonts and sound installations by 40+ international artists.

Among the contributing artists there are at least as many interpretations of the Golden Ratio. Some approach it with strict mathematical analysis and rigour. Others have delighted in the philosophical implications that seemed to be whispered through this language of numbers and geometric form.

Between November 2017 and January 2018, PHI will promote dedicated collections, support on-going residencies and digest 12 months of cross posting on social media.



CLICK TO ENTER PRIMARY ->
Phi - Artist Pages & Featured Collections


CLICK TO ENTER SECONDARY ->
Phi - FTP Vault


Curated by
Cara Delavignette & Eros Marazotti

Featured artists
Robert Amason
Myrto Amorgianou
Anestis Anestis
Gerard Bakner
Berengere Balvay
Phillip Bannigan
John Bardakos
Fotis Begetis
Stefano Benedetti
Jared Scott Dave
Ian C. Dengler
Eric Edelman
Facegruber
Andres Lozano Gallego
Grandlapin
Ray Grobius
Jo FRGMT Grys
Keigo Hara
Paul Hertz
Peter William Holden
Light Pressure (Lena Ighptre)
Sandrine Jacquot
Marializa Kambi
Mark Klink
Mayakov+sky Platform
Nikolas Koroloff
Savvas Koureas
Florian Kriehbaum
Constantinos Lambrou
Antonin Laval - vash yeah
Elli Lestas
Milana Manića Ujke
Chakib Moudden
Katerina Neofytidou
José Irion Neto
Od Niwr
Adrian Pickett
Murray Pridham
Stefaan Quix
Misha Rabinovich + Caitlin Foley
Manuel Ramos
Heinz Schielmann + Resi Mumbesi + Nick Wiwekyolamal
Jurgen Walther
Charles Westerman
Rahema Zaheer
Yiannis Zouris



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Congruent Planes

December 14, 2017, 7:08 pm
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Form a cohesive bond between ephemera/the invisible with the permanent/physical realms. Introducing new ways of seeing, being, feeling and understanding. Reshaping now outdated definitions and liminal spaces. Giving the creators an opportunity for further exploration of the familiar while ideally giving the viewer an opportunity to leave or take something new with them.


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Congruent Planes


Curated by
Luis A. Gaucin

Featured artists
Jeffrey Alan Scudder
Douglas Schatz
Andrej Ujhazy
Maggie Mcgee
Scott Gelber
Talia Shulze
Michael Manning
A. Bill Miller
Jeanette Hayes
Simon Baker
Cheseball Enigma


BEEF HAUS
833 Exposition Ave,
Dallas, TX 75226
USA



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Avakin

December 21, 2017, 5:30 am
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A screen shot based exhibition occupying a digital gallery space inside a mobile device game, developed on a horizontal, #opencall logistic 100% online.


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Avakin


Curated by
Felipe Filgueiras

Featured artists
Felice Zhukov
Marieke Berghuis
Mario Melis Mellis
Pierre Pagy
Willem Jacqueir
Quentin Gomzé
Ian Bruner
Lengua Muerta
Maya Glucoz
Felipe Filgueiras
Michael Green
Gabriel Junqueira
Matheus Freitas
Floppydisko
Toma Friedrich
Don Elektro
Máté Janky
Wis Villefort
Harika Çember



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VGN FRST

November 24, 2017, 6:13 pm
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Although it has emerged out of a dialogue between two female Polish elbows and four androgynous French knees, its particles have a pullulating character. It fluctuates around heterogeneity and explores an amalgam of matters; it is imbued with body and its ability to pose a catalyst (a cathedral) for emotions, failed sonifications or acoustic environments. It's an organism, partially autonomous, influenced by internal and external worlds. It's a frivolous forest and it is growing.



CLICK TO ENTER ->
VGN FRST


Curated by
Eliza Bozek, Pauline Canavesio

Featured artists
Vagina Forest & Anastasia Alpha Rats




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#toppostsofinstagram

November 27, 2017, 9:32 pm
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There are +30 Embassies participating on the third edition of the Wrong. The embassies form the offline part of the biennale happening in art spaces, galleries and institutions in cities around the world. To bring the offline back online, and to form a flattened viewpoint of the idea of "naming", presented in this tour are the top Instagram posts for each word in the Embassy names. The tour peruses an alternative internet presence of the Embassies, which in turn, implies that the naming of things does not affect what they really are; the words become homographs, full of different meanings when taken out of context, rendering them futile non-human effigies of the trending masses.

Juliet:
'What's in a name? that which we call a rose
By any other word would smell as sweet;'


CLICK TO ENTER ->
#toppostsofinstagram


Authored by
Rebecca Edwards




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